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Game Review: Band Frontman Jason Williamson Assumes Character in Sceptical Examination at Ecstasy Generation Era

Produced by Bristol sound co-founder the musician-producer, this sharp-edged if slight debut feature casts a critical gaze on 90s rave culture. Venal pillhead David (Marc Bessant) initially steals from an unconscious dealer, then in a later recollection tries to burgle his own family home. In no time, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Darkly Funny Duel

The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The bigger point – that the ecstasy generation were primarily out for number one – is clearly conveyed. But these brief episodes are too thin to adequately prepare us for what to expect when the Woodsman turns up, fuming after David kills his dog. Still, a darkly funny duel takes hold – David desperate to escape; the Poacher denying his container of cider, intent on dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.

Visual Flair and Promo-Inspired Sensibility

Just a single key story turn, but it leads to a comically executed rampage on the woodland paths that veers toward rural terror. Filmmaker John Minton at last unleashes with his showy imagery: where he was hunkered down doing artful shots of bugs in headlights in the opening part, he now goes all out with the full psychedelic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

The film releases in UK and Irish theaters from 17 November.

The writer

Adam Bradley

A technology strategist with over a decade of experience in digital transformation and innovation consulting.

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